Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

Real, Realer, The Realist

His name is an international byword for wintertime Jewish fun, and his work has been nominated for an Oscar, but until now, Asaf Hanuka has been unknown in the English-speaking world.

”[click

” src=”https://images.forwardcdn.com/image/675x/center/images/cropped/realist21en-081810-1425716653.jpg”]

One of the major collaborators with David Polonsky and Ari Folman, Hanuka was responsible for the animation of about 20 minutes of “Waltz With Bashir.” As a graphic artist who trained and worked in France, he produced work that had the ability to tell a story “through composition” and not just through action, he told the Forward in a telephone interview. While his section (the tank flashback where the soldier has to swim back to Israel) was not the sole reason for the film’s Oscar nomination, the filmmakers’ commitment to his process was emblematic of their care in making the movie.

Hanuka probably got his chance because of his work with the famous writer and filmmaker Etgar Keret. Having worked with Keret — before and after his time in France — on the graphic novels “Streets of Rage” (1997) and “Pizzeria Kamikaze” (2006), Hanuka made a short animation film to present Keret’s 2008 film “Jellyfish” to investors. Their association came while Hanuka was in the army. Warned by a group of generals that he was doing “anti-army stuff” after nearly a year of drawing “really weird comics about soldiers who wanted to commit suicide and flew away on wings” for the army newspaper, he reached out to Keret, who agreed to let this stranger make graphic versions of his stories.

”[click

” src=”https://images.forwardcdn.com/image/675x/center/images/cropped/realist2-081810-1425716650.jpg”]

Last year, Amir Ziv, editor of Calcalist (the weekly business supplement to the Israeli daily newspaper Yediot Aharonot), commissioned Hanuka to make a regular comic. Comics are not part of business culture in Israel, but Ziv thought that a feature dealing with a family’s struggles to get a mortgage could make economics seem personal. Thirty weeks on, and Hanuka has repaid Ziv’s trust: What once seemed risky now seems self-evident. To Israelis, Hanuka brings a story to daily domestic finances, and to the English-speaking world, he shows the everyday struggle of a young family in a part of the world usually known for its explosive politics.

Currently at work on a graphic novel (due for publication in 2011) with his twin brother, Tomer, and filmmaker Boaz Lavie, Hanuka continues to produce “The Realist” each week. And he will continue to translate it for us so that we can publish the best of the columns online. It’s Hanuka all year at forward.com!

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.

In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.

At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.

Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Only 300 more gifts needed by April 30

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.