Ornate Gravestones Tell Stories of Soviet Lives

Faces of Jewish Immigrants Laser-Etched on Black Granite

Soviet Chic: Jewish immigrants from the former Soviet Union brought a taste for gaudy laser-etched photos on — of all places — headstones.
claudio papapietro
Soviet Chic: Jewish immigrants from the former Soviet Union brought a taste for gaudy laser-etched photos on — of all places — headstones.

By Josh Nathan-Kazis

Published January 20, 2013, issue of January 25, 2013.
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“All over the Soviet Union the cemeteries have pictures on the headstones,” said Leonard Petlakh, executive director of the Kings Bay Y, in the Sheepshead Bay area of Brooklyn. “It’s a totally Soviet thing.”

The technology has developed significantly since the 1980s and ‘90s, when Soviet Jews brought the tradition with them during their mass emigration to the United States. New techniques allow for full-color faces, while easier access to global markets has brought exotically colored granite from quarries in India and China.

None of this comes cheap. The faces were etched by hand until a decade ago; technicians now use machines armed with carbon dioxide lasers. According to Lelonek, a basic laser etching costs between $500 and $800 over and above the $2,500 that families are already paying for the stone. A full-color portrait costs more like $2,000. Add an extra $1,000 for an unusually shaped stone, an option that many Soviet Jews select, and you’re getting close to $5,000 for a headstone.

The cost is the source of one objection some rabbis have to the engraved headstones. “It creates tremendous financial pressure on those who can’t afford it,” said Rabbi Elchonon Zohn, president of the National Association of Chevra Kadisha, an Orthodox group. Zohn also said that some religious authorities consider the stones in abrogation of the Second Commandment, which bans “graven images.” Other rabbis simply object because the stones are a relatively new innovation.

“It’s not in our tradition to put it in,” said Yehoshua, the Bukharian rabbi. “The rabbis, we are not so in favor of this.”

Yehoshua said that the main Bukharian cemetery on Long Island doesn’t allow the Soviet-style headstones. That hasn’t kept Bukharians, and other Jews from the Former Soviet Union, from using the stones elsewhere.

One such place is Washington Cemetery, where the Soviet stones have been jammed into every free corner. You used to be able to drive a car around inside Washington Cemetery, but the pathways have been narrowed to allow more burials, and now only foot traffic is permitted. Cemetery maintenance crews use trucks only a little bigger than golf carts.

The exotically shaped and extravagantly engraved headstones look gaudy next to their more weathered, austere neighbors. Looking down at the black stones from the elevated subway platform that runs over the cemetery, it’s easy to dismiss them as an affectation of nouveau riche immigrants.

A walk around the cemetery dispels that idea. Expensive memorials are nothing new. At Washington Cemetery there’s a massive private mausoleum for the Schancupp family, dated 1912, with stained-glass windows inside. Just feet from a row of recently-etched Eastern European faces lies the eternal home of one Maurice Morrison who died in 1917. Morrison, identified in his epitaph as “the most competent actor in the scenes of Shakespeare’s plays,” chose to be buried under an intricately carved gravestone shaped like a tree. Embedded in that stone? A small photograph of Morrison dressed in a top hat.

Washington Cemetery’s plots are now sold out, so there won’t be many more Soviet-style headstones there. According to some observers of the community, it’s not just at Washington Cemetery where the trend may be running its course. Petlakh believes that, as the community assimilates, the entire practice could soon die out.

“We’re all products of a culture,” Petlakh said. “It will not be definitely there in the next generation.”

Contact Josh Nathan-Kazis at nathankazis@forward.com, or follow him on Twitter @joshnathankazis


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