Matisyahu Talks About Life Without the Yarmulke

Rapper Is Transformed, With New Look and Approach

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By JTA

Published March 13, 2013.
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How did the people around you react to your changes?

The people that I’m around are my band. That’s who I’m spending most of my time with on the road. They’re not religious, they’re not Jewish and they’re very understanding. Also, I don’t live anymore in the neighborhood where I used to live. As for my family, they are very accepting of my changes. My kids are learning very different perspectives. I felt that was something very important to teach them all along: bringing them out, getting them out of the shtetl, seeing the whole world, meeting people from different cultures, stressing the humanity of mankind. They’re also growing up with a strong Jewish identity because it’s a big part of our lives – with Shabbat, holidays and even school. I’m teaching them real Jewish values: not to judge people, believe in unity and oneness, and also to know who they are.

Will we see a new Matisyahu a couple of years from now?

In life, you’re never going to escape yourself, you’re never going to become something else. Hopefully, if you’re having this interview in two or three years, you will meet a more evolved Matisyahu. It’s important to keep growing.

Your latest album, “Spark Seeker,” has just been released in Europe. Critics describe it as more pop and less reggae than the previous albums. Do you agree?

I don’t really consider it less reggae because reggae means a lot of different things to different people. There’s no such objective definition of the term when you’re talking about genres and styles in music. In the pure sense, it’s not so much reggae, but in some ways, this is more my delivery of vocals, a lot of them in a strong reggae patois. … The record was a sort of nice breath of fresh air: having a good time, writing feel-good songs. It’s more of a digitally produced record, more hip hop in the sense that drums and synthesizers are at the forefront of the music. But when my team and I went to Israel, we recorded a lot of live instruments, mostly Middle Eastern style. So in the end, we combined this Middle Eastern organic flavor with more modern fresh pop.


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