British Comedy Legend Jonathan Lynn Brings Unique Style to Los Angeles

'Yes, Prime Minister' Coming to the Geffen Playhouse

An Outsider on the Inside: Jonathan Lynn’s play, “Yes Prime Minister,” adapted from his BBC comedy series, is currently running in Los Angeles at the Geffen Playhouse.
Courtesy of Jonathan Lynn
An Outsider on the Inside: Jonathan Lynn’s play, “Yes Prime Minister,” adapted from his BBC comedy series, is currently running in Los Angeles at the Geffen Playhouse.

By Rex Weiner

Published June 06, 2013, issue of June 14, 2013.
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‘Comedy is often created by outsiders,” Jonathan Lynn said, speaking of growing up in the only Jewish family in the English spa town of Bath in the 1940s. The British-born director of such comic screen romps as “My Cousin Vinny” and “The Whole Nine Yards,” as well as the popular BBC comedy series “Yes, Prime Minister” and that show’s long-running West End stage version, was sitting in Jerry’s Famous Deli, located in Los Angeles’s Westwood Village — a long way from Bath — but not necessarily for its pastrami (he prefers the Carnegie Deli, in New York).

The deli is near LA’s Gil Cates Theater at the Geffen Playhouse, where rehearsals were under way for the American stage premiere of “Yes, Prime Minister.” Directed by Lynn and co-written by Antony Jay, the comedy stars Dakin Matthews, Jefferson Mays, and Michael McKean.

Having lived in the United States long enough to acquire citizenship, Lynn said he was hopeful that American audiences will appreciate the play as much as London audiences have. “British and American democracies are based on the same fundamental principle,” he said. “If no one knows what you are doing, no one knows what you’re doing wrong.”

Lynn is also the author of the book “Comedy Rules,” which is constructed around 150 “rules” of comedy that add up to a memoir of sorts. The book delivers lessons Lynn learned over the years, from his days at Cambridge to his early stage acting career in “Fiddler on the Roof,” “Bar Mitzvah Boy” and “The Knowledge,” to writing and directing on the West End and for the BBC, to his Hollywood move in the early 1980s directing his first studio film, “Clue.”

Outside the book’s autobiographical scope is the fact that Lynn’s uncle was Abba Eban, Israel’s ambassador to the United States and the United Nations during the 1950s, and that his grandmother was secretary to Chaim Weizmann — founder of Israel and its first president — and tasked with translating the Balfour Declaration into multiple languages. An incident related to Lynn by Eban formed the plot of an episode of “Yes, Prime Minister” titled “A Victory for Democracy,” in which the British prime minister rejects his Arab-centric Foreign Department minister’s advice on a foreign policy decision, taking the Israeli ambassador’s advice instead.

“It actually happened,” said Lynn, who was close to Eban, an outspoken critic late in life of Israel’s domestic policies. “I was shocked to see him heckled and shouted down for his views on the occupation.”

Lynn said that his father was a Scottish-born doctor whose own father had left by boat from Lithuania and disembarked in Glasgow “under the impression it was New York.” Growing up in a household that was Jewish but secular, Lynn’s mother would light the Sabbath candles “occasionally,” and on holidays the family attended the nearest synagogue, 12 miles away, in Bristol. “My father would drive,” Lynn recalled, “but he would park at a discreet distance and we’d walk the rest of the way.”


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