Novelist Doris Lessing Who Wrote on Race and Gender Dies at 94

Pulitzer Prize Winning Author Penned 55 Books

wikicommons

By Reuters

Published November 17, 2013.
  • Print
  • Share Share
  • Single Page

(page 2 of 2)

Her output soon ranged far wider.

In some 55 novels and collections of short stories and essays, she turned her inquiring gaze on the interplay between not only men and women but also the individual and society, sanity and madness, and idealism and reality.

Her 1971 work “Briefing For A Descent Into Hell” records the psychiatric treatment of a hallucinating college professor.

A restless curiosity and hunger for reinvention even pushed her into science fiction, heavy like much of her work with a sense of doom that she said stemmed from her father’s experience of World War One.

The five novels of “Canopus in Argos”, published between 1979 and 1983, provide a “space eye” view of human life by describing a colonised planet Earth used as a social laboratory by galactic empires.

Lessing’s disregard for others’ opinions meant that she was not afraid of controversy, angering Americans by saying that the 9/11 attack was “neither as terrible nor so extraordinary” as people thought.

She was also not afraid to change her views, renouncing her youthful espousal of communism, but not the passion and humanity that drove it.

In 1987’s “The Wind Blows Away Our Words”, Lessing attacked what she saw as the West’s indifference to the war in Afghanistan after making a trip to Afghan refugee camps in Pakistan.

ALTERNATIVE REALITY

The next year, critics variously read “The Fifth Child”, the story of the havoc that an antisocial child brings to a family, as an allegory of the Palestinian problem, the collapse of the British empire, feminism, genetic experiments, treatment of children in institutions, urban decay, impending apocalypse or even the situation of migrant labourers in Europe.

Lessing, ever the contrarian, said none of those issues had even crossed her mind, and that she had merely been retelling a classic horror story.

Nevertheless, the theme of alternative reality runs through much of her work, evoking her own flight from a childhood coloured by a strained relationship with her parents.

Leaving school at 13 to spite her mother, she educated herself by immersing herself in Dickens, D.H. Lawrence, Dostoyevsky and Tolstoy, when she was not running off into the bush. Two short-lived marriages followed, and three children, then exile.

Her last novel, “Alfred and Emily”, published in 2008, is half a biography of her parents and half a fictional account of the lives they might have led, if it had not been for the cataclysmic war where her father was maimed in the trenches.

In “Walking in the Shade”, the second volume of her autobiography, she wrote that by the age of 14 she could “set a hen, look after chickens and rabbits, work dogs and cats, pan for gold, take samples from reefs, sew, use the milk separator and churn butter, make cream cheese and ginger beer, … drive the car, shoot pigeons and guineafowl for the pot, preserve eggs - and a lot else.

“Doing these things I was truly happy,” she wrote. “Few things in my life have given me greater pleasure.”


The Jewish Daily Forward welcomes reader comments in order to promote thoughtful discussion on issues of importance to the Jewish community. In the interest of maintaining a civil forum, The Jewish Daily Forwardrequires that all commenters be appropriately respectful toward our writers, other commenters and the subjects of the articles. Vigorous debate and reasoned critique are welcome; name-calling and personal invective are not. While we generally do not seek to edit or actively moderate comments, our spam filter prevents most links and certain key words from being posted and The Jewish Daily Forward reserves the right to remove comments for any reason.





Find us on Facebook!
  • "Let’s not fall into the simplistic us/them dichotomy of 'we were just minding our business when they started firing rockets at us.' We were not just minding our business. We were building settlements, manning checkpoints, and filling jails." What do you think?
  • PHOTOS: 10,000 Israel supporters gathered for a solidarity rally near the United Nations in New York yesterday.
  • Step into the Iron Dome with Tuvia Tenenbom.
  • What do you think of Wonder Woman's new look?
  • "She said that Ruven Barkan, a Conservative rabbi, came into her classroom, closed the door and turned out the lights. He asked the class of fourth graders to lie on the floor and relax their bodies. Then, he asked them to pray for abused children." Read Paul Berger's compelling story about a #Savannah community in turmoil:
  • “Everything around me turns orange, then a second of silence, then a bomb goes off!" First installment of Walid Abuzaid’s account of the war in #Gaza:
  • Is boredom un-Jewish?
  • Let's face it: there's really only one Katz's Delicatessen.
  • "Dear Diaspora Jews, I’m sorry to break it to you, but you can’t have it both ways. You can’t insist that every Jew is intrinsically part of the Israeli state and that Jews are also intrinsically separate from, and therefore not responsible for, the actions of the Israeli state." Do you agree?
  • Are Michelangelo's paintings anti-Semitic? Meet the Jews of the Sistine Chapel: http://jd.fo/i4UDl
  • What does the Israel-Hamas war look like through Haredi eyes?
  • Was Israel really shocked to find there are networks of tunnels under Gaza?
  • “Going to Berlin, I had a sense of something waiting there for me. I was searching for something and felt I could unlock it by walking the streets where my grandfather walked and where my father grew up.”
  • How can 3 contradictory theories of Yiddish co-exist? Share this with Yiddish lovers!
  • from-cache

Would you like to receive updates about new stories?




















We will not share your e-mail address or other personal information.

Already subscribed? Manage your subscription.