(page 2 of 2)
What I experienced at the Reform biennial, frankly, is the same thing that I always have loved most about my father’s unique way of expressing his Judaism. The biennial’s inclusiveness, striving for unity, love of humanity without judgment, and honest respect for the individual/collective journey of the soul were hallmarks of his approach. Rabbi Rick Jacobs, president of the movement, spoke about the importance of “audacious hospitality” above all else, and these words reflect my own mission in this world.
I would like to believe that I share this mission with my detractors. Aren’t we all trying in our own way to bring meaning, peace and unity to the world?
In my opinion, peak spiritual experiences happen when we are able to connect to something greater than ourselves, bigger than our own limited existences, beyond time and space. What the Jewish people desperately need at this moment is a greater sense of Klal Yisrael — Jewish peoplehood.
At the Reform biennial, I did not have a religious experience, but a community experience: My soul made aliyah to the greater Jewish community, to Am Yisrael. A portal opened and I saw us as one, connected and bound together by common history and purpose.
I’m still the same person I have always been. I still appreciate and follow the ritual I was raised with, still feel profoundly connected to the way I have always practiced my own Judaism. My statement was one of inclusivity. It is tragic to me that it has been misconstrued as a denunciation of the Orthodox world wherein I was raised.
Put another way, at the Reform biennial I had a true “Shlomo moment.” I was blessed to experience the love for Klal Yisrael in a way I could intellectually grasp but frankly had never felt before.
To those whom I have offended — ki va moed: The time has come for us to break down the walls of denominationalism and simply be Jewish. It is time for a new way, a new vision, a new moment for us all.
My song stays the same but my kavanah (intention) is deeper, my eyes are open, my family is larger.
My new recording, “Soul Daughter,” will be released this month. Produced and arranged by Josh Nelson, it features performances by the Broadway cast of “Soul Doctor,” the play about my father’s life that I was blessed to co-create.
As I have been completing my singing for the recording, I feel that I am singing my father’s music from a new, expanded place in my heart, with more tears, vulnerability and longing than I ever was able to feel. As an artist, I thank you for allowing me to access this place in me.
I pray that we will all continue this important conversation, but perhaps with a new level of respect, as brothers and sisters, in the way my father would have want of us.