The Anti-Trump Soviet Immigrants Facebook group, founded by Olga Tomchin, fills an immense need for progressive Russian immigrants.
Russians don’t speak highly of Brighton Beach, the seaside enclave in Brooklyn where Samantha Shokin spent many of her formative years.
“Covers,” a new production by experimental theater troupe the Lost & Found Project for the Russian division of the National Yiddish Theater Folksbiene, attempts to breathe new life into two timeworn themes: young rebellious children and the clash of traditional values in the new world. Premiering May 22 to a packed (and largely Russian-speaking) audience, the show picks up where the troupe’s inaugural production, “Doroga,” left off — young Russian Jewish Americans in present-day Brooklyn, grappling with questions of identity and self-actualization while being smothered by the nagging disapproval of their immigrant parents.
Babushki chattering in Russian, store awnings adorned in Cyrillic, the scent of fresh pierogi in the air — for decades, these displaced attributes of Soviet culture have been characteristic of Brighton Beach, New York’s Russian-speaking enclave in the southern tip of Brooklyn. While much of the borough was busy gentrifying, Brighton managed to stay frozen in time — to the chagrin of many New York Russians, who prefer not to be associated with the ethnic stereotypes of “Little Odessa.” To challenge these negative associations, ArtOnBrighton — a music and arts festival celebrating the diversity of modern post-Soviet Jewry — will take place September 8 just a short walk from the storied neighborhood.