Allen Ellenzweig


Hero in Print, Villain at Home

By Allen Ellenzweig

Hero in Print, Villain at Home
Few of us ever face a moral decision with life or death consequences, or that threatens to influence, however feebly, the course of history. This may be one reason why the moral calculations of men and women who lived during the rise of the Third Reich and the Second World War prove so durable as the subject of literature and film.Read More


Polish Drama in Black and White

By Allen Ellenzweig

Polish Drama in Black and White
Shot in rich black and white, “Ida” is a quiet, deliberately paced study of the end of innocence for a young Polish woman, Anna, raised an orphan in a convent. It is the early 1960s. On the verge of taking her vows, the Mother Superior tells Anna that her only living relative, an aunt, wants to see her. This is posed to the young novitiate as a task she must take up before renouncing the outside world. Anna leaves on the necessary journey, her hair modestly covered with her novice’s hooding.Read More


Josef Mengele in Patagonia

By Allen Ellenzweig

Josef Mengele in Patagonia
It seems apt that a renowned figure of evil — the Nazi doctor Josef Mengele, the so-called “Angel of Death,” notorious for his cold-blooded “selections” at Auschwitz — should inspire a film whose mood is at once mysterious and sinister, yet whose visual style is strangely poetic, perhaps even terrifyingly beautiful.Read More


Guru of the Sexual Revolution

By Allen Ellenzweig

Guru of the Sexual Revolution
In “The Strange Case of Wilhelm Reich,” shown recently at the New York Jewish Film Festival, Austrian writer and director Antonin Svoboda presents us with a sobering but odd theatrical feature about the controversial analyst and sex philosopher Wilhelm Reich.Read More


For Some Characters, Communism Is Never Over

By Allen Ellenzweig

For Some Characters, Communism Is Never Over
A tale of adult children discovering the romantic mysteries of their parents’ past hardly presents new thematic territory. These discoveries are made after death thanks to the documentary evidence a parent leaves behind: letters, photographs, school reports, and war-related transcripts. Don’t a son and daughter in a sleepy farming community discover their mother’s hot and heavy affair with a passing photographer in “Bridges of Madison County”?Read More



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