James Conlon, music director of Los Angeles Opera, and Marilyn Ziering, a Beverly Hills philanthropist, met for the first time only a year ago, but they have become fast friends. A common interest unites them: making sure that music suppressed by the Nazis and then largely forgotten — much of it by Jewish composers — gets a fair hearing.Read More
Music by those who perished in the Holocaust has lately enjoyed something of a vogue, with both Jewish and non-Jewish audiences discovering the work, and unfilled promise, of composers like Viktor Ullmann, Erwin Schulhoff, Pavel Haas and Hans Krása. But what of the music written in the aftermath the Holocaust to honor the dead?Such scores do inRead More
Marshall McLuhan famously termed television a “hot” medium and radio a “cool” one. The inconsistencies inherent in such artificial divisions notwithstanding, there are fundamental differences between the two. Perhaps above all, one remains the better suited to relaying, and even discussing, music.That point is made every day on radioRead More
It may be odd to put it this way, but James Conlon is on a crusade. During the past decade, the 54-year-old conductor, a native of Queens, N.Y., has proved to be a vigorous advocate of music suppressed by the Nazis. And this season, Conlon has made these scores a top priority, including them in virtually every program he’s leading as a guestRead More