By Josh Lambert
A mail-order Jewish bride travels from the old country to the high plains, then falls in love with her new stepson in Anna Solomon’s new novel.
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By Josh Lambert
Just because people don’t know a language doesn’t mean they won’t use it in all kinds of crazy ways. Cartoonists use Yiddish icons without understanding them.
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By Josh Lambert
Almost every page of Galit and Gilad Seliktar’s new graphic short story collection, set in rural Israel during the 1980s, is fraught with the possibility of sex or violence.
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By Josh Lambert
Dan Miron’s “From Continuity to Contiguity” is a work of Jewish literary theory — an exceedingly erudite one, and in some ways the most important to appear in recent decades — that reads a little like a mystery novel. The book begins with the idea that “continuity” is dead as a model for studying Jewish literature, and Miron, the Leonard Kaye Chair of Hebrew and Comparative Literature at Columbia University, even tells us who killed it: “the so-called Tel Aviv structuralist school of poetics.”
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By Josh Lambert
Being an Americanist in a Jewish studies department can be, from time to time, a humbling experience: When your colleague down the hall is educating her students about the Akkadian and Sumerian sources of the Torah or helping them piece together Judeo-Arabic fragments from the Cairo Genizah, it can seem a little silly that your own students are busy writing analyses, per your assignment, of “Curb Your Enthusiasm.”
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