Leigh Kamping-Carder


How American Photography Became European Art

By Leigh Kamping-Carder

How American Photography Became European Art
In “Stieglitz, Steichen, Strand,” the Metropolitan Museum of Art pulls from its own collection to present the work of three heavyweights of American photography: Alfred Stieglitz, founder of the influential 291 gallery, and two of his protégés, Edward Steichen and Paul Strand. The show, on through April 10, 2011, gives each photographer his own room, accentuating their individual styles and obsessions, while allowing a closer look at the cross-pollination that took place in the early part of the 20th century.Read More


A Mexican Suitcase Finds Its Context

By Leigh Kamping-Carder

A Mexican Suitcase Finds Its Context
In 1939, famed war photographer Robert Capa left a suitcase of film negatives in the care of his darkroom manager, Csiki Weiss. Capa, who fled Paris for New York in advance of the German invasion, would never again see the suitcase, which held dozens of rolls of undeveloped film that he and his colleagues, Gerda Taro and David Seymour, shot during the Spanish Civil War. Indeed, the cache stayed hidden for decades and was thought lost to the world. It wasn’t until 2007 that the so-called Mexican Suitcase arrived at the International Center of Photography, the New York museum founded by Capa’s brother, Cornell Capa.Read More


Slideshow: Illustrators at the Crossroads

By Leigh Kamping-Carder

Slideshow: Illustrators at the Crossroads
The conceit behind “Blow Up,” the latest group show at The Society of Illustrators, is somewhat overblown, if you will. The show, billed as “an open window onto the visual melting pot of contemporary image making,” presents work by Tomer Hanuka, Yuko Shimizu and Sam Weber, three artists with different backgrounds who meet “at the crossroads of a distinct American esthetic.”Read More


'Sensory Overload' in America

By Leigh Kamping-Carder

'Sensory Overload' in America
For anyone who has embarked on a road trip across America, camera in hand, the images collected in “America By Car,” an exhibition of Lee Friedlander’s photography on now through November 28 at the Whitney Museum of American Art, will seem familiar.Read More






    Find us on Facebook!
    • What the foolish rabbi of Chelm teaches us about Israel and the Palestinian unity deal:
    • Mazel tov to Idina Menzel on making Variety "Power of Women" cover! http://jd.fo/f3Mms
    • "How much should I expect him and/or ask him to participate? Is it enough to have one parent reciting the prayers and observing the holidays?" What do you think?
    • New York and Montreal have been at odds for far too long. Stop the bagel wars, sign our bagel peace treaty!
    • Really, can you blame them?
    • “How I Stopped Hating Women of the Wall and Started Talking to My Mother.” Will you see it?
    • Taglit-Birthright Israel is redefining who they consider "Jewish" after a 17% drop in registration from 2011-2013. Is the "propaganda tag" keeping young people away?
    • Happy birthday William Shakespeare! Turns out, the Bard knew quite a bit about Jews.
    • Would you get to know racists on a first-name basis if you thought it might help you prevent them from going on rampages, like the recent shooting in Kansas City?
    • "You wouldn’t send someone for a math test without teaching them math." Why is sex ed still so taboo among religious Jews?
    • Russia's playing the "Jew card"...again.
    • "Israel should deal with this discrimination against Americans on its own merits... not simply as a bargaining chip for easy entry to the U.S." Do you agree?
    • For Moroccan Jews, the end of Passover means Mimouna. Terbhou ou Tse'dou! (good luck) How do you celebrate?
    • Calling all Marx Brothers fans!
    • What's it like to run the Palestine International Marathon as a Jew?
    • from-cache

    Would you like to receive updates about new stories?




















    We will not share your e-mail address or other personal information.

    Already subscribed? Manage your subscription.