Michal Lando


The Nudes of Dr. Moreau

By Michal Lando

The Nudes of Dr. Moreau
The floor of photographer Daniel Gordon’s studio is covered in colored shreds of paper. Here and there, an arm and leg made from those very scraps protrude from the rubble. One leg is covered in a sheath of thick gray hair that also turns out to be made of paper.Read More


Art That Hints At Big Questions

By Michal Lando

Art That Hints At Big Questions
Israeli sculptor Micha Ullman likes to refer to his art as “offerings” — works that people can choose to accept or not. He doesn’t believe in forcing anything on anyone, and especially not art.Read More


The Aesthetics of Violence Examined

By Michal Lando

The Aesthetics of Violence Examined
Following the collapse of the Twin Towers in 2001, German composer Karlheinz Stockhausen was caught musing that the event was “the greatest work of art that is possible,” a statement that provoked widespread outrage and led to the cancellation of several concerts of his work. Though New York Times music critic Anthony Tommasini, among others, perceived Stockhausen’s words as “an affront,” they continue to reverberate, as critics, curators and artists weigh in on the complicated relationship between aesthetics and violence.Read More


Of Giants’ Robes and Dwarvish Thieves

By Michal Lando

Of Giants’ Robes and Dwarvish Thieves
Toward the end of Philip Roth’s poignant story “Eli the Fanatic,” Eli, exhausted by his fruitless efforts to get a Hasidic yeshiva to leave his nicely acculturated Jewish neighborhood, decides to adopt a different strategy. He wraps his Brooks Brothers suit in a box and delivers it to one of the yeshiva’s founders, a man who has made residents uneasy by wandering around town looking like he just stepped out of a shtetl. Eli hopes his gift will compel the Hasid to abandon his traditional garb and blend in with the rest of the community: “Common sense says make this guy change his clothes. Then maybe—.”Read More


Whose House? Whose Homeland?

By Michal Lando

Whose House?    Whose Homeland?
This month, Israeli moviegoers may get just a little more than they bargained for at one of the country’s best-known movie theaters. Through the end of November, the entrance hall to the Tel Aviv Cinematheque will exhibit a series of black-and-white photographs by British photographer Alan Gignoux that places photos of Palestinian refugees alongside photos of the homes they lost during Israel’s War of Independence.Read More






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