Noah Isenberg


Fields, Green Again

By Noah Isenberg

Although for many years it has appeared that the work of Austrian-born filmmaker Edgar G. Ulmer (1904-1972) was destined to fall into oblivion — in one of the earliest accounts of his career, from the 1970s, film scholar John Belton pronounced Ulmer “a totally unknown or, at best, an obscure figure in film history” — recently there hasRead More



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