Ranen Omer-Sherman


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Mark Helprin's Politics Doesn't Get in Way of Prose

By Ranen Omer-Sherman

Mark Helprin's Politics Doesn't Get in Way of Prose
His strident politics notwithstanding, Mark Helprin’s magically descriptive powers have rendered up some of the most genuinely adventurous writing of our time.Read More


Portraying Inner Conflict of Israeli-Arabs

By Ranen Omer-Sherman

Portraying Inner Conflict of Israeli-Arabs
Sayed Kashua’s ‘Second Person Singular’ illuminates Israeli Arabs’ fraught condition as insiders and outsiders and their painful struggle to create a life of meaning.Read More


A Zionist Heroine in Her Own Mind

By Ranen Omer-Sherman

A Zionist Heroine in Her Own Mind
FORWARD BOOKS SPECIAL: Novelist Meir Shalev tells the true story of his grandmother. She’s a Zionist heroine in her own mind, and a deranged malcontent to everyone else.Read More


A Twilight Unto the Nations

By Ranen Omer-Sherman

A Twilight Unto the Nations
In the world of comics, Israel has a long and lively culture of illustrated political commentary. There’s even an Israeli Museum of Caricature and Comics in Holon to honor that tradition. Contemporary work from graphic novelists such as Rutu Modan, Yirmi Pinkus and Asaf Hanuka is attracting international raves, and the scene is filled with emerging talent. The young artist Sivan Hurvitz stands out, though, for her highly controversial series, “Turn Right at the End.” Based on her senior undergraduate thesis at the Holon Institute of Technology, the show imaginatively critiques what she and many others perceive as alarmingly anti-democratic and intolerant tendencies in contemporary Israel. Set in possible future Israels, Hurvitz’s scenes may repel some and provoke sadness, recognition or unease in others, but her visceral imagery will leave nobody untouched. Her Zion, rendered as both familiar and unknown, is at a turning point in its history.Read More


To the End and Back Again

By Ranen Omer-Sherman

There is a moment in David Grossman’s novel, “See Under: Love,” when an Israeli son of Holocaust survivors gazes at his own sleeping child and remarks to his beaming wife: “‘It’s a good thing he can sleep through all the noise… He may have to sleep with tanks passing in the streets someday.’” Perhaps that stark utterance was the catalyst for Grossman’s latest novel, “To the End of the Land,” with its gripping meditation on love, war, suffering and rebirth. In the future, this may be regarded as Israel’s definitive anti-war novel, but that does not begin to account for its shattering poetry, nor for its incandescent empathy for characters whose euphoria and sorrows are fully revealed.Read More







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