By Tamar Yellin
There is still hope for the novel. In a climate increasingly hostile to fiction that does not adhere to the conservative parameters set by the publishing industry, some writers continue to work according to their own lights. Gabriel Josipovici is remarkable for producing novels that belong to the modern European tradition of Kafka and Proust, yet he writes not in German or French, but in English — and, more remarkably still, out of an English setting.
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