Typography in the Talmudic Tradition: American Jewish Designer Herb Lubalin

Fans of splendid graphic design and typography have until December 8 to catch the exhibit, “Lubalin Now” at The Cooper Union’s Cooper Gallery. It opened November 5 to honor the highly influential Jewish typographer and graphic designer Herb Lubalin who died in 1981.

Known for his work for the magazines “Avant Garde,” “Eros,” and “Fact,” Lubalin, whose archives are housed at Cooper Union, was a free spirit and longtime colleague of the controversial editor Ralph Ginzburg adding visual verve and quasi-European elegance to Ginzburg’s erotic themes.

New York-born, Lubalin took after his father Sol, of Russian Jewish origin, who was a trumpeter in the New York Philharmonic Orchestra who encouraged his early artistic ambitions despite the fact that young Herb was color-blind. After early studies at Cooper Union, Lubalin worked in advertising alongside such solid professionals as artist Seymour Chwast, designer Irwin Glusker, and art director Bernie Zlotnick, honing his skills admirably.

Lubalin’s joyously full letters in titles like “Eros” and “Avant-Garde” telegraph a voluptuous fullness and ripeness which seemed appropriate for the sixties, when many of his classic designs were created. Yet the same vitalistic approach could produce astonishing results when applied to the Old Testament, as in Lubalin’s remarkable design of the Book of Genesis as a kind of celebratory, populist broadsheet.

Soon in demand on the college lecture circuit, Lubalin with typical self-deprecating humor claimed to transmit to students “very little information with great flair and erudition.” On the contrary, the Hungarian-born typographer Peter Gabor, a longtime Lubalin fan, asserts: “Herbert Lubalin’s power rests in the conjunction of the two universes of text and image. Text becomes image and image reinforces the text. His is a deeply Jewish approach, by way of Talmudic tradition, in the way [Lubalin] incessantly seeks multiple meanings…” To which visitors of the Cooper Union show can only echo a sincere “Amen.”

Watch two short video tributes to Herb Lubalin’s creativity below.
First a shorter presentation with some music.

And a longer, but silent, powerpoint homage.

Embed this video

Tagged as:

Your Comments

The Forward welcomes reader comments in order to promote thoughtful discussion on issues of importance to the Jewish community. In the interest of maintaining a civil forum, The Forward requires that all commenters be appropriately respectful toward our writers, other commenters and the subjects of the articles. Vigorous debate and reasoned critique are welcome; name-calling and personal invective are not and will be deleted. Egregious commenters will be banned from commenting. While we generally do not seek to edit or actively moderate comments, our spam filter prevents most links and certain key words from being posted and the Forward reserves the right to remove comments for any reason.

Recommend this article

Typography in the Talmudic Tradition: American Jewish Designer Herb Lubalin

Thank you!

This article has been sent!