According to Don Harrán, Sarra Copia Sulam was the first Italian Jewish woman to “excel” as a public literary figure, writing in various forms and leaving a “personal imprint on them.” She was a kind of Susan Sontag of the Venetian Ghetto. Sulam was also prominent because of her beauty and wealth (her husband was a banker/moneylender whose brother, also a banker, was likely a patron of Salamone Rossi).
Harrán, Professor Emeritus of Musicology at the Hebrew University of Jerusalem, has published a series of landmark studies, including “Salamone Rossi: Jewish Musician in Late Renaissance Mantua” (Oxford University Press, 2003), about the Italian Jewish composers of the late Renaissance and early Baroque. Harrán’s latest publication, from the University of Chicago Press, “Sarra Copia Sulam: Jewish Poet and Intellectual in Seventeenth-Century Venice” is equally rewarding and enlightening.
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