I was pleased to see a profile in the New York Times on July 20 of the unusual cantorial-music-aficionado-turned-audiophile-sound-engineer Mendel Werdyger. Werdyger is the proprietor of Mostly Music, one of the last bastions of old school Jewish culture in New York City. While you can certainly buy the standard schlock recordings of Hasidic boys choirs there, the shop is also rich with reissues of powerful cantorial records and classics of Yiddish theater and Hasidic music.
My cousin Cantor Zachary Konigsberg and I have long been fans of Mostly Music. Zachary first introduced me to the shop when he was living in Kensington, a stone’s throw from Boro Park’s heavily populated Jewish enclave and specialty shops. We would go there partly because we got a kick out of seeing our grandfather, Cantor Jacob Konigsberg’s cassette on the shelves alongside the pantheon of cantorial greats. Here we had the opportunity to buy cassettes by many of the classic names in hazanus: Pierre Pinchik, Leib Glantz, Zavel Kwartin and more. We chatted with Werdyger on a few occasions. I was always struck by his warm and open presence and his obvious scholarship in the field of cantorial music.