The Schmooze

Why a Show About Show Business Isn't Entertaining

After years of writing for the likes of Carol Burnett, Mary Tyler Moore and Bing Crosby, Kenny Solms has finally struck out on his own. The result is “It Must Be Him,” a frothy musical comedy in the well-worn tradition of shows about show business, which opened September 1 at New York’s Peter Jay Sharp Theater.

Louie Wexler (Peter Scolari), the protagonist of Solms’s transparently autobiographical tale, is a frustrated, aging writer who lives in a Beverly Hills mansion but fears that Hollywood has left him behind. Louie’s prime — like Solms’s — was in the golden age of variety television, and he now spends his unhappy days tinkering with an unfinished screenplay and bickering with his sassy Hispanic housekeeper. Worst of all, he’s desperately lonely: In lieu of a real boyfriend, Louie pines after the gorgeous 23-year-old Scott (Patrick Cummings), an aspiring actor who lives with him but sleeps in a separate bedroom.

Recommend this article

Why a Show About Show Business Isn't Entertaining

Thank you!

This article has been sent!

Close
Close