The Schmooze

Friday Film: Lou Reed's 'Red Sheep'

For those accustomed to seeing Lou Reed as the snarling badass of the New York music scene, his first directorial effort, “Red Shirley,” will come as something of a shock. Far from touching on the trademark obsessions of his Velvet Underground days — sadomasochism and drugs, to be precise — the film is a loving, strenuously respectful portrait of his cousin, Shirley Novick, on the eve of her 100th birthday.

The documentary, which screens January 15 at the New York Jewish Film Festival and clocks in at a mere 28 minutes, is full of awkward angles and random shifts from color to black-and-white. It’s a clumsy effort, technically speaking, full of production flaws that are bizarre to the point of distraction, yet the story that Reed tells is charming enough that you can almost overlook the film’s defects.

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Friday Film: Lou Reed's 'Red Sheep'

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