“The Diary of a Young Girl” by Anne Frank has inspired numerous dramatic works since its publication in English 1952. There was a Broadway play in 1955 by Frances Goodrich and Albert Hackett which won the Pulitzer Prize; an adaptation of the play for film in 1959; a 1980 television movie also written by Goodrich and Hackett; and an ABC miniseries in 2001, not to mention reams of nonfiction that examine the girl and the book.
But this is nothing compared to the drama backstage: The feud between Meyer Levin (1905–1981), the journalist who first reviewed Frank’s book for the New York Times, and Frank’s father, Otto.
Levin had obtained permission to adapt the book for the stage, but was later replaced by Goodrich and Hackett. Levin, a respected writer and Zionist, won an Edgar award for his 1957 book “Compulsion,” a “non-fiction novel” (a style later used by Truman Capote in “In Cold Blood”) about the Leopold and Loeb case. Other works include the novel “The Settlers” (1972) and “The Obsession,” his autobiographical volume on his battle for the diary.
Rinne Groff’s play “Compulsion,” opening at The Public Theater February 17 following productions by Yale Repertory Theatre and Berkeley Repertory Theatre (read the Forward’s review of the Yale production here) follows Sid Silver, a Levin-like character played by Mandy Patinkin, through his quest to adapt Frank’s diary. The Arty Semite caught up with Groff the morning after the first New York preview.
Gwen Orel: Why did you write this play?
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