In April, 2010, when the Israeli artist Avigdor Arikha (born Dlugacz in Romania) died at age 81, he was praised for his sensitive figurative art, as well as his heroic life story. In 1941, after Arikha’s family was deported to Romanian-run concentration camps, his drawings of deportation scenes, shown to International Red Cross representatives, won freedom for himself and his sister. By 1944 they had reached Palestine, where he lived on Kibbutz Ma’ale HaHamisha in the Judean Hills, before relocating definitively in 1954 to Paris.
There he met, among other arts colleagues, Samuel Beckett, and in 2005, Arikha’s widow Anne Atik published an affectionate account of their friendship, “How It Was: A Memoir of Samuel Beckett” from Counterpoint Press. Further understanding of Arikha’s artistic milieu and goals appeared on January 18, when Les Éditions Hermann published “Painting and Looking: Writings on Art, 1965-2009” (Peinture et regard. Écrits sur l’art, 1965-2009) an augmented version of a 1991 Arikha book from the same publisher.
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