In a 2007 obituary for Grace Paley published in the New York Times, Margalit Fox wrote that “Ms. Paley was among the earliest American writers to explore the lives of women — mostly Jewish, mostly New Yorkers — in all their dailiness.” Lilly Rivlin’s recent documentary, “Grace Paley: Collected Shorts,” screening March 27 at the Minneapolis Jewish Film Festival, brings together a chorus of voices from friends, family and colleagues to Paley herself, to convey a powerful portrait of an artist, poet, teacher and political figure whose depictions of the everyday lives of women had, and continue to have, a deep and powerful impact.
Paley was born in 1922 to Russian parents who were “kid socialists,” as she calls them in one of many interviews interspersed throughout the film. She explains that her parents “were part of a generation of Russians who hoped they could be Russian.” Of course, in Russia at the time, they were seen primarily as Jews, a legacy that Paley examines throughout her oeuvre. Her stories, poems, and essays continually explore questions of identity, and through her writing we witness an author attempting to account for diversity even as she celebrates the mundane but meaningful rituals and experiences that people share: spats between loved ones, the humor of everyday life, the solace and beauty that can be found in art and literature and language.