For all of its charitable mishloach manot-giving and passive-aggressive gragger-shaking, Purim is hardly the tamest Jewish holiday. At its best (worst?) the celebration follows a sort of Bakhtinian carnivalesque disorder, with masks, public denunciations of the villain Haman and booze — lots of booze.
With that in mind, one would expect Moscow, surely a world capital of hedonism, to know how to throw down on Purim. And at Yiddish Fest 2011, a three-hour concert at the upscale music club Milk on March 19, the city did not disappoint. Twenty-five musicians, often on stage all at the same time, taking vodka shots mid-song, shelled roughly 2,000 concert-goers with a raucous fusion of neo-klezmer, reggae, funk and hip-hop sounds, working the atmosphere into what can only be described as part bar mitzvah, part raw punk, part Breslov dance party.
“It was an orgy, a public orgasm,” accordionist and singer Daniel Kahn, of Berlin-based Daniel Kahn and The Painted Bird, said after the show. “Irreverent, anarchic and just fun.”
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