In geographic space the farthest city from New York is Perth, Australia, but in mental space the farthest is certainly Timbuktu. The Malian city sits on the southern border of the Sahara Desert and is so distant that schoolchildren name it as an impossible place. Dictionaries define it as “the most distant place imaginable” or someplace “foreign, outlandish.” Appropriately then, The Sway Machinery — JDub Records’ preeminent cosmopolitan culture-divers — travelled to Timbuktu to make their new album, “The House of Friendly Ghosts Vol. 1.”
The Sway Machinery guitarist and vocalist Jeremiah Lockwood started work in 2008 on a project he simply called “Pilgrimage,” thematically organized around the Temple pilgrimages of Ancient Judea and his own need to search out his grandmother’s vanished village in Transylvania. These impulses were satisfied last year when the band traveled to Timbuktu to play the Festival in the Desert, and “House” is the document of that pilgrimage to Mali.