At a remove, William Kentridge’s work can seem like a study in contradictions. His work is heavily influenced by the once repressive — now merely turbulent — politics of his native South Africa, but often features a lightness sometimes bordering on whimsy; his observations have a universality of tone, yet are underpinned by a distinctly personal, at times autobiographical twist. The works themselves — collages, charcoal drawings and animations that Kentridge himself has likened to “stone-age filmmaking” — are functional in form, yet touched with an unexpected gracefulness and charm.
Showing at the Israel Museum in Jerusalem through June 18, “Five Themes” explores the last two decades of Kentridge’s prolific output in five mediums — drawing, sculpture, animation, print and stage design. Kentridge is a restless artist; the exhibition demonstrates the breadth of his artistic scope. Even so, a theme does recur, one of preoccupation with the ghosts of the past and their influence on the present.