Earlier this week, Austin Ratner wrote about Hillel sandwiches and patricide, photography, and Audrey Hepburn. His first book, “The Jump Artist,” is the winner of the 2011 Sami Rohr Prize for Jewish Literature. His blog posts are being featured this week on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog series. For more information on the series, please visit:
It goes against my convictions as a novelist to characterize any person as either a demon or a hero; human nature isn’t so simple. It’s the fascist psyche that adores such black-and-white categories: good or bad, Aryan or Jew, friend or enemy, worthy of life or of extermination. But even in a psychologically mature piece of fiction, there are protagonists and antagonists and what divides them from one another in “The Jump Artist,” is precisely their degree of maturity of thought — i.e., their ability or inability to think in a nuanced, non-binary way. Karl Meixner, a fascist, had a lot of trouble thinking that way. Philippe Halsman’s attorney in the second trial, by contrast, refused to see the world in the polarized terms that would later dominate the politics of Grossdeutschland.