Ronny Wasserstrom, left, as Mr. M, accomanied by his pigeon, center, played by Theresa Linnihan, and his shadow, right, played with finger puppets by Michelle Beshaw. Photo by Lee Wexler.
In its evocation of “Terezin humor” — the grim recognition that if we didn’t laugh, we’d hang ourselves — “Mr. M,” by the Czechoslovak-American Marionette Theatre, is both the same as, and unlike, every other Holocaust play you’ve ever seen. The play, which runs at the Theatre for the New City through May 1 and at the JCC in Manhattan from May 5 to 8, draws on familiar themes, but does so in an altogether original way. It is performed in the “zivacek” style of Czech theatre, in which the cast, some of whom work with puppets, nonetheless remain visible throughout. In practice, the technique gives the story a beautifully layered feel, in which each object holds the potential to be several things at once.