‘Protection’ by Leah Vincent
A photo of a woman wrapped in phylacteries might not seem very bold after Leonard Nimoy’s “Shekhina” project. But to many of the artists at the opening of a new art exhibit called “All in the Eye,” a photograph of a woman adorned with tallit and tefillin, eye to the camera with a slight smile, represents the height of sacrilege.
The woman in the photo is ex-Hasidic, as is the artist who took it. Both hail from a culture in which the act is still shocking and offensive: a woman entering a man’s domain in search of spiritual fulfillment. The portrait, of course, is powerful both for its rejection of traditional values and the re-appropriation of its ritual objects — especially given its personal context. But it’s the playful, slightly mischievous smile that is most captivating. It is as if both subject and artist, still, after many years, delight in the act of ritual subversion.