‘Quiet’ by Arkadi Zaides, featuring Rabie Khoury and Ofir Yudilevich. Photo by Gadi Dagon.
In his welcoming remarks on the opening night of the the La MaMa Moves! Festival’s Contemporary Israeli Dance Week (June 8-12), Edo Ceder, of the New York-based YelleB Dance Ensemble, talked about “dancing from the gut.” That evocative phrase could have been an alternate title for the cumbersomely named festival-within-a-festival, which featured performances from nine different contemporary Israeli dance groups — five based in New York and four brought in from Israel just for the occasion.
I couldn’t help thinking, as I looked at those strong, lean bodies, that dancers don’t really have guts — at least not the flabby kind that we can see. But on that first evening the performers did seem to draw from emotional reserves somewhere deep within themselves. They writhed in agony on the ground; they stood defiantly on their heads; sometimes, they transfixed just by standing still.