Each Thursday, The Arty Semite features excerpts and reviews of the best contemporary Jewish poetry. This week, Jake Marmer introduces four poems by Alicia Jo Rabins.
Songwriters who are also known as poets often only become so once they receive a degree of popular acclaim for their music. Cases in point include Bob Dylan and Ani Di Franco, David Byrne and Lou Reed. With the recent album, “Half You Half Me” by her Girls in Trouble project, violinist and indie singer-songwriter Alicia Jo Rabins has made a powerful pitch for inclusion in that elite realm. Each song on the album is a lyrical exploration about another female character in the Tanakh — the “girls” of the project’s name.
But her writing is not confined to her lyrics, and today on the Arty Semite we’re featuring four poems that were written as such, not for songs. The first three works are part of her “Ancient Studies” cycle, and walk the line between mythic and contemporary, culminating perhaps most intensely in the third piece where a customer service phone call turns into a deeply personal hallucination. The final work featured here returns the poetic context inherent to much kabbalistic thought back into poetry, lightly swinging images and abstractions into a meditation on things most timeless.