Photo by Joan Marcus
There’s a moment late in Itamar Moses’ new play “Completeness,” running until September 25 at Playwrights Horizons, when the shifting scenery stops shifting. Lights blink. Eventually two of the actors appear, talking about how since their characters don’t reappear they have come out to keep the audience engaged.
Now, you don’t have to be an experienced theatergoer to know that this whole sequence is probably scripted (it is). The interruptions and digressions feel artful. But this doesn’t take away from the brilliance of the conceit, which acknowledges the artificiality of theater while also embracing it. Commenting on technology while keeping the human interest high is what “Completeness” does throughout.