The author who wrote “a rose is a rose is a rose” is being honored and vilified in equal parts. She is being honored by “Seeing Gertrude Stein: Five Stories” out from The University of California Press on June 22 to commemorate an exhibit at San Francisco’s Contemporary Jewish Museum, which moves and opens on October 14 at Washington, D.C.’s National Portrait Gallery, where it can be seen until January 22, 2012.
In June, Yale University Press released “The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde” inspired by an exhibit at The San Francisco Museum of Modern Art which closed on September 6, to re-open at Paris’s Grand Palais on October 3, with a further 2012 stop at The Metropolitan Museum. But other publications offer cogent reasons to curb any Steinian enthusiasm.
“Unlikely Collaboration: Gertrude Stein, Bernard Faÿ, and the Vichy Dilemma” was published by Columbia University Press on September 1. Written by Barbara Will, a Duke University English professor, “Unlikely Collaboration” investigates how Stein and her companion Alice Toklas survived in Occupied France, protected by fascist Nazi-collaborating friends. Pablo Picasso later recalled to a mutual friend: “Gertrude was a real fascist. She always had a weakness for Franco. Imagine! For Pétain, too.”