In “Born,” a solo exhibition showing at the Sasha Wolf Gallery in New York through November 5, photographer Elinor Carucci presents intimate, at times unsettling, but always unflinchingly candid portraits of herself and her twin children. Born in Israel in 1971, Carucci started taking photographs at the age of 15. She moved to New York after graduating from Jerusalem’s Bezalel Academy of Art and Design, and has since forged overlapping careers in visual art and commercial photography. Her photographs, often of herself or family members, have been exhibited across three continents (another solo exhibition, “Love In Spite,” is running at Tel Aviv’s Tavi Art Gallery through October 7); her commissions have appeared in The New York Times Magazine, The New Yorker and Esquire, among other publications. She spoke to The Arty Semite about the self-reflective and personal nature of her work.
Akin Ajayi: “Born” presents images of motherhood very much at odds with our internalized concept of maternal bliss. Are these general statements or a meditation on personal experience?