The story of the Golem has been told in literature, film and theater, including a puppet production created in 1997 by the Czechoslovak-American Marionette Theatre. Now that show is back as part of La Mama Experimental Theatre Club’s 50th anniversary season, featuring music by The Klezmatics trumpeter Frank London. Unusually for the company, the show is danced as much as it is spoken. The Arty Semite caught up with writer-director Vít Hořejš and composer Frank London to ask about reviving the story of the clay man.
Gwen Orel: Why did you choose to restage this show now?
Vít Hořejš: It was our very first show at La Mama. We usually try to revive our shows every four years. “Golem” is our biggest production so it’s also very costly. It’s a story I grew up with as a child, and at first I was interested in telling a fairy tale, a legend. It’s a part of Prague lore that non-Jewish children will know. If you go to Prague today you will see little golem figures being sold all over the place as souvenirs.