Lost and Found: Comics 1969-2003
By Bill Griffith
Fantagraphics Books, 364 pages $35
Bill Griffith, the one prominent figure of underground comix to reach the daily comic page mainstream, has delivered again with a phone book-sized volume both odd and pleasing. It comes with a Long Island back-story.
Life (suburban life, that is), found this grandson of famed Western landscape photographer William Henry Jackson growing up in the self-satirizing environment of Levittown, Long Island. He got out as quickly as he could, and at 25 was drawing comics in Manhattan for the hipster East Village Other spinoff, Gothic Blimp Works. Thanks to Griffith, as well as to Kim Deitch, Robert Crumb, Spain Rodriguez and a handful of others, the comic art revolution had begun.
This wild-and-crazy development owed a lot to Mad Comics, successor to Mad Magazine, and above all to Mad founder Harvey Kurtzman, who published young artists in the short-lived Help! magazine of the early 1960s. It owed a bit more to the loosening social standards that allowed artists to express themselves in stronger political and sexual terms than had previously been imaginable. The artists of the emerging genre furthered the Kurtzman ethic of humor as social critique, a style that scholars of humor history would later come to associate with Monty Python (John Cleese actually worked on Help! for a time), Saturday Night Live and The Simpsons.