From 2006 to 2011, artist and journalist Leah Kohlenberg lived in a handful of former Soviet countries. While there, a fascination with societies in transition took hold, and she became “obsessed with the wreckage, ruins and signs of life” that she saw in those places, as well as in others she visited. She began to see evidence of both decay and revitalization everywhere. Out of this came “Ruin: Rebirth,” a series of 30 photographs currently on view at Brooklyn’s Hadas Gallery through March 19.
The pictures are mostly cityscapes taken in Eastern Europe, with a little bit of Greece and even a shot from Brooklyn thrown in. They depict scenes that anyone interested in the paradoxes and complexities of urban life would find compelling: flowering vines creeping over a wall, an ornate banister in a run-down stairwell that’s held in place with the help of string, a public sculpture of the word “newborn” with each of its letters covered in graffiti.