While making “Free Men” (“Les hommes libres”), a subtle examination of an Algerian émigré living in Paris at the outset of the Nazi Occupation, it must have been tempting to pump up the emotional volume. Had the movie been made by Hollywood, Younes, a young man selling goods on the black market, would have been played by a sexy under-30 hunk, the tangential romance with a mysterious woman would have been front and center, and Younes’s conversion from a self-sufficient but apolitical layabout into a man committed to saving lives at the risk of his own would have been pushed as high-key melodramatic heroism. The moral quandaries would have been italicized and the young Jewish children at risk would have tugged at our heartstrings in a manner more sentimental than thought provoking.
But Moroccan-born director Ismaël Ferroukhi and his co-screenwriter, Alain-Michel Blanc (with the historical advice of Benjamin Stora), fashioned instead an intimate tale of growing moral and political self-awareness against a backdrop that, at least for some, will prove surprising. Too few of us are familiar with instances of Jews saved by Muslims. Today’s Middle Eastern politics make such stories important, the better for Jews and Arabs to appreciate a shared past and, in the Sephardi context, shared cultures and communities that have effectively been banished from public remembrance.