Is there a more sunny and less ego-driven violinist than Israeli-born Gil Shaham? He makes even the most virtuosic music seem so effortless and natural, it’s easy to forget how rare and difficult an achievement that is.
This year he has devoted himself to reviving a handful of under-played 20th-century violin concertos. In mid-March, abetted by David Zinman guest-conducting the New York Philharmonic, Shaham put his whole being into performing the Concerto Funèbre for violin and string orchestra by Karl Amadeus Hartmann. Most violinists would be daunted by this work’s technical demands and try to make the audience see how much sweat is required to play it. Shaham, in contrast, made it sing.
There were not many German composers who behaved honorably in the Nazi period, but Hartmann was one. He chose to maintain public silence so as not to be co-opted by the Nazis. This rarely played violin concerto is an outstanding example of his work.