Claude Lanzmann, director of the film “Shoah,” has been busy of late. In February, his documentary, “Karski Report,” about how a Polish resistance fighter tried to warn American officials of the Holocaust as it was happening, was released on DVD. Also in February, Lanzmann, who will turn 87 on November 27, encountered some resistance on his own, when he gave a female security guard at the Tel Aviv airport what he called “one accolade around her shoulders – in English, a hug.” This resulted in Lanzmann’s being arrested and finger-printed for alleged sexual harassment.
Undeterred — in March, the[New Statesman described Lanzmann as a truculent rugbyman, a “French prop-forward of the old school - barrel-chested, florid-nosed and with no discernible neck” – Lanzmann’s hyper-energetic creative life continued with the release of the English-language version of his The Patagonian Hare: A Memoir, while Gallimard published a collection of Lanzmann’s articles from 1958 to 2007 “Tomb of the Heavenly Diver.” Its title refers to a 2,500-year-old painted tomb uncovered in 1968 outside Paestum, Greece. Showing an athletic diver throwing himself into a void, the image struck a chord with Lanzmann, who added the word “Heavenly” to what is generally known as “Tomb of the Diver.”