The photo of sweet-faced young people on the CD cover does not prepare you for the ferocity of the music making on “Opus 1” (Azica), the debut recording by the Israeli Chamber Project. Founded in 2008, the ICP as configured for Opus 1 comprises clarinetist Tibi Cziger, cellist Michal Korman, harpist Sivan Magen, pianist Assaff Weisman and violinist Itamar Zorman.
“Opus 1” showcases the group’s wide-ranging musical sympathies. Béla Bartók’s “Contrasts” (a 1938 Benny Goodman commission) finds Cziger dispatching the clarinet part with cool panache while Zorman and Weisman bring Bartók’s bluesy, folksy soundscape to boisterous life. Zorman and Magen lavish playing of surpassing beauty on Camille Saint-Saën’s 1907 “Fantaisie” for violin and harp, and the full ensemble shines in Bohuslav Martinů’s “Chamber Music No. 1,” most of all in the glowing, enigmatic Andante.
As performed by Korman and Magen, Claude Debussy’s 1915 Sonata for Cello and Piano (arranged for cello and harp) is all moonbeams and Gallic suavity. The album’s highlight is an ICP commission: “Night Horses” by Matan Porat, whose music has been played in concert and on a recent CD by David Greilsammer. Inspired by one of Jorge Luis Borges’s lectures, “Night Horses” is a prickly, slithering fever-dream that leaves you longing to hear more from both Porat and the ICP.
The ICP holds its fall gala on October 16 in New York, where it will also perform at the America-Israel Cultural Foundation’s gala on October 28. The ICP’s 2012-13 schedule includes concerts in New York, Massachusetts, Los Angeles, Washington, DC, and Israel, with additional dates to be added.
Assaff Weisman and Tibi Cziger, the ICP’s executive and artistic directors, respectively, answered a few questions by e-mail.
Marion Lignana Rosenberg: There are so many fine chamber ensembles. What does the ICP offer that is unique?