No matter what he does, Woody Harrelson will always be known for his Emmy Award-winning role as Woody Boyd, the lovable, intellectually challenged bartender on the TV show “Cheers.”
Since then, however, he’s built a career as a serious and intelligent actor, landing highly-praised roles in films such as “The Messenger” and “The People vs. Larry Flint,” both of which earned him Academy Award nominations.
Now Harrelson’s tried his hand at something new: playwriting and directing. His drama, “Bullet for Adolf,” is set in Houston during the summer of 1983, when Harrelson met his co-writer, Frankie Hyman.
One of their characters makes liberal use of the “N” word and another, a German who owns a pistol that supposedly belonged to Hitler, praises the Fuhrer’s accomplishments. The pistol’s disappearance sets events in motion.
Harrelson spoke to The Arty Semite about how the play came about and whether there should be any limits on “funny.”
Curt Schleier: How did you come to write “Bullet for Adolf”?