Eric L. Muller has been blogging here all week. His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
The question that I am exploring in this series of blog posts is what a “concentration camp” looks like. In the first post, I noted that there has been tension between some American Jews and some Japanese Americans over the use of the term “concentration camp” for the prison camps that held Japanese and Japanese Americans during World War II. In the second post, I tried to describe a bit of what was unique about the American camps — the ways in which they arose from some of the same kinds of causes as the German camps while being administered by a government agency with a very different set of views from the SS. Tomorrow, in my last post, I’ll say a few words about how I’ve resolved the dilemma about using the term “concentration camp” in my writing about the American camps.
Today, I’d like to say a little bit about Bill Manbo, the photographer who took the Kodachrome slides featured in “Colors of Confinement,” and his family. It’s often rightly said that the number “six million” is an abstraction and that the truth of the Holocaust can only really be appreciated in the context of a real human life. The same is true of the 120,000 people the U.S. government exiled and imprisoned.