Ricky Jay is a polymath of the dark arts. A master of sleight-of-hand and considered by some to be one of the greatest magician living today, he is also a historian of magic, a collector of rare books, a lecturer, a film and television actor, and a co-creator of the firm Deceptive Practices, which supplies “arcane knowledge on a need-to-know basis” to film, TV and theatrical companies by using magic and illusions to solve production challenges.
Finally, he is the subject of a fascinating new documentary, “Deceptive Practice: The Mysteries and Mentors of Ricky Jay,” which opened in New York on April 17.
A combination of extraordinary archival performance footage and a series of lengthy interviews with Jay, it reveals a man who was introduced to magic by his grandfather, then left home at 16 and was taken under the wings of some of the greatest magicians of the time.
Jay spoke to The Arty Semite about discovering magic, his mentors and the Jewish influence on magic and magicians.
Curt Schleier: In the film, you mention that you wanted the magician Al Flosso to perform at your bar mitzvah, and your parents arranged that as a surprise. That seems like a big deal, yet you didn’t seem to get along with your parents. You called it “the only kind thing I remember.”