Drawn to New York: An Illustrated Chronicle of Three Decades in New York City
By Peter Kuper, Introduction by Eric Drooker
PM Press, 208 pages, $29.95
This oversized, four-color 30-year compendium of comics, magazine illustrations, painting and sketchbook work by the artist best known for his “Spy vs Spy” pages in Mad Magazine, is stunning in its variety and vividness. “Chronicle” is evidently a play on words, because Kuper is looking at his Manhattan experience — ever since he moved from Cleveland in 1977 — from all sorts of angles, including geographical, aerial, animal, and, of course, human. It’s not always a pretty sight, that’s the price of admission to the real-life Greatest Show on Earth. The Mexican and French publishers of the volume, which preceded this version, must think so, too.
We don’t see the evidence here, but Kuper started as in comics by inking “Richie Rich,” and many of the pages of “Drawn to New York” might be understood as a depiction of the world that real-life Manhattan rich people would prefer not to see. Not that Kuper, a founder of the iconoclastic “World War 3 Illustrated,” is didactic. He takes in street violence, poverty, prostitutes, ecological and architectural crimes almost casually: How would you recognize modern New York without them? He also likes to be self-indulgent: the endangered species in the city is himself, threatened by some random or still unspecified source that makes 9/11 almost a relief in its specificity.