Writing about Rick Moranis required that I remind myself what he’s done. After all, his great comic roles in Mel Brooks’ “Spaceballs” and the first “Ghostbusters” movie are pushing 30. So I sneaked over to YouTube to watch Moranis order his starship to “ludicrous speed,” and in “Ghostbusters” ask, “Okay, who brought the dog?”
But what has Moranis done lately? Well, in 2005 he released a Grammy Award-nominated comedy song album called “The Agoraphobic Cowboy,” a parody of the freedom-loving cowboys that complain about being fenced in. And now he has an enjoyable new comedy album called “My Mother’s Brisket & Other Love Songs” that will please many in the Jewish community and provoke students of popular culture to wonder if Moranis will be the one to finally reach that frightening land of commercial failure known as “Too Jewish.”
On his website Moranis tells us that’s exactly where he’s headed. “When I first began writing jokes and sketches with various Jewish partners one of us would inevitably stop at some point and announce, ‘Too Jewish!’ Too Jewish for the star, the show, the network, or the audience. The songs on this album are all in that category.”
Yes, they are. And some of them are terrific. In the klezmer-style “Pu-Pu-Pu,” the Toronto-born Moranis pays homage to the sanitary North American version of the Old World spitting that helped ward off the evil eye.