On the 60th anniversary of “Waiting For Godot,” Samuel Beckett’s existential comic-tragedy will be staged in Yiddish for the first time. It’s an idea that is both obvious, and ground-breaking, casting a new light on the masterpiece.
The play will run from September 20 to October 13 at the Castillo Theatre in Manhattan (543 W. 42nd St.) and is the brainchild of David Mandelbaum, artistic director of the six-year-old New Yiddish Rep, a company dedicated to presenting Yiddish plays and Yiddish adaptations of classical and contemporary works.
“Though Yiddish theater has a tradition of performing masterworks, it’s now identified with musical revues and light entertainment,” Mandelbaum said. “Yiddish is a riveting language and has compelling theater, but it’s in danger of becoming archived and relegated to YIVO.” Mandelbaum would like to see the New Yiddish Rep become a resident, repertory theater and is hopeful that “Godot” will serve as a stepping stone to that end.
Initially, the creative team wanted to set the play in a post-Holocaust universe inhabited by concentration camp survivors. Though the Beckett estate put an end to that idea, the artists have little doubt that Holocaust imagery will be evoked when the characters speak Yiddish and refer to the ashes and millions who are dead.
“That gives the drama a context and clarifies what it’s about,” Mandelbaum said. “Beckett, who wrote ‘Godot’ in 1947-48, had to be drawing upon the previous ten years of history.” The act one rehearsal I observed was startling in its resonance. It was also haunting and very funny, its despair and cataclysmic landscape notwithstanding.