“A Gentleman’s Guide to Love and Murder” is easily the best reviewed musical of the season. It marks the Broadway debut of Robert L. Freedman (book and lyrics) and Steven Lutvak (music and lyrics), who were praised by The New York Times for a score that “establishes itself as one of the most accomplished (and probably the most literate) to be heard on Broadway in the past dozen years or so.”
The play is based on a 1907 novel by Brit Roy Horniman that was turned into a 1949 film, “Kind Hearts and Coronets,” starring Alec Guinness.
It’s a simple tale. Poor Monty Navarro (Bryce Pinkham) is visited by a friend of his late mother, who informs him that he is related to the Earl of Highhurst. It seems his mom was banished when she married Monty’s dad, a Castillian. Now Monty is just eight (soon to be dead) relatives away from an earldom.
Freedman (from Los Angeles) and Lutvak (in New York) spoke to the Forward about the long road from concept to Broadway, the plot’s Jewish antecedents, and creating underdog characters.
Curt Schleier: How did this project begin?