A few months ago, thanks in part to The Forward, I became aware of a controversy at Theater J. An organization housed within the Washington DC Jewish Community Center (DCJCC), the theater had announced its 2013-2014 season, which was to include a production of “The Admission” by Israeli playwright Motti Lerner.
Key to this play are contrasting and layered Israeli and Palestinian narratives about what happened in an Arab village during the 1948 war for Israeli independence. Arguing that by staging this play Theater J, the DCJCC, and the Jewish Federation of Greater Washington were “promoting a discredited and defamatory lie against Israel,” a committee called Citizens Opposed to Propaganda Masquerading as Art (COPMA) implemented an energetic and public campaign against it.
I confess that the merest hint of anti-Israel sentiment can set me on edge, even (perhaps especially) when that sentiment appears to come from my coreligionists. In this instance, my immediate reaction was to sympathize with COPMA’s argument that Federation (or other Jewish community-sourced) funds should not go to disparaging, demonizing, or delegitimizing the Jewish state. But without having read or seen “The Admission” for myself, I couldn’t be certain that the play was guilty as COPMA had charged it.