Watching Carole King (introduced by Cyndi Lauper) perform “Beautiful” — her ode to self-worth, from her Grammy winning album “Tapestry”— along with “Sara Bareilles counterpointing with her own “Brave,” was a classy moment at the 2014 Grammy Awards which validates why, just the night before, King got the Musicare’s “Person-of-the-Year” Award in recognition of her musical genius.
Surprisingly, King has yet to see Broadway’s “Beautiful: The Carole King Musical” that traces her creative journey.
Based on King’s personal coming-of-age saga with the requisite chuckles-eliciting Jewish mother injunctions [“Jewish girls don’t write songs — they teach!”] “Beautiful” is a standout; exciting, engaging and — though considered evocative for Baby Boomers —the immediacy of her lyrics and soul-pleasing music continue to resonate for the twenty-somethings.
Carole King and Nina Leon, 1987 // Credit: Karen Leon.
Jessie Mueller stars as a teenage composer/lyricist who marries her fellow Queens College alum and first husband Gerry Goffin (Jake Epstein). She is simply phenomenal. A master of many talents (Mueller/King writes the lyrics) she writes the music, she sings, she plays the piano and — oy! —does she suffer.
Around us, a multi-generational audience relishing a nostalgic look back at some of the best interpreters of King’s hits — The Shirelles, The Righteous Brothers, The Drifters — and a delightful Neil Sedaka impersonator singing his ode to “Carole.” The first time we saw “Beautiful,” Judith Jamison, Artistic Director Emerita of the Alvin Ailey Dance Theater was in our row. At a follow-up revisit last Saturday, TV producer Simon Cowell was at the end of the aisle.